In 1860, Nadar moved to 35 Boulevard des Capucines. The rent was astronomical but Nadar's expenditures bought the triumph of his name—a gigantic signature scrawled on the glass facade of his palace and in the consciousness of the public. Photo from another source, text from The Metropolitan Museum of Art -
http://www.metmuseum.org/toah/hd/nadr/hd_nadr.htm#thumbnails
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